Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia   Related Paintings of FRANCIA, Francesco :. | Adoration of the Child (detail) dgj | The Burial of St Cecily dfs | Adoration of the Child sdgh | Crucifixion with Sts John and Jerome dfh | Portrait of Evangelista Scappi |
Related Artists:
PANNINI, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 was an Italian painter and architect, mainly known as one of the vedutisti or (veduta, or "view painters"). As a young man, Pannini trained in his native town of Piacenza as a stage designer. In 1711, he moved to Rome, where he studied drawing with Benedetto Luti and became famous as a decorator of palaces, including the Villa Patrizi (1718C1725) and the Palazzo de Carolis (1720). As a painter, Pannini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are the interior of the Pantheon, and his vedute paintings of picture galleries containing views of Rome. Most of his works, specially those of ruins have a substantial fanciful and unreal embellishment characteristic of capriccio themes. In 1719, Pannini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Academie de France, where he influenced Jean-Honore Fragonard. His studio included Hubert Robert and his son Francesco Panini. His style would influence a number of other vedutisti, such as his pupil Antonio Joli, as well as Canaletto and Bernardo Bellotto,
H.Chr.Jensen

villelm melbye
Danish, 1824-1882 The brother of Anton and Fritz, both Danish artists, Vilhelm Knut Frederik Melbye was born in Denmark and would finish his career as a Professor in the Copenhagen Academy, appointed in 1880. His years between would see him work out of the important venues of Dusseldorf, Venice, Paris and London. His paintings may almost be used as a travelogue to his career. Working in the Netherlands and paintings scenes of the North and Black Seas through the late 1840s, he exhibited regularly at Charlottenborg in Copenhagen. Melbye lands in London by the early 1850s and ??anglicizes?? his signature to Wilhelm Melby. Paintings by him of Gibraltar and the Italian Mediterranean are in prominent public collections with dates from 1854-62. British subjects reappear in the 1860s, and in 1878, he exhibits at the Parisian Academies. Some later works are signed with initials or his given name once again. The heart of all his paintings is his obvious attraction to the coastal harbors and marine settings of Europe. They dominate his output, and are compositions full of realistic and dramatic elements emphasizing humanity??s maritime efforts. Cool light, layered shadows and a talent for translating visual depth are noticeable elements in his paintings.